Before anything, I prepare my studio & pray.

1. Painting the negative onto glass

2. Applying the cyanotype ingredients to the paper

3. Exposing the negative to the sun

4. Rinsing off the solution

The watercolor paper is gently rinsed off...becomes a gorgeous blue!

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5. Laying out the beads, thread, & tools

I used sheep wool for the cross to symbolize our precious Savior's sacrifice. The beads are silver & glass.

6. Embroidering the center

I used a prepared cotton cyanotype square from Jacquard for the base.

7. Ready to stitch onto the watercolor paper

8. Preparing to embroider the watercolor paper

The watercolor paper is very thick. I made the wooden-handled pin & punched the stitching lines.

9. "Body & Blood, Living Water"

The center piece was stitched on. I embroidered through the punched holes, and added glass beads to the "water". Japanese silver thread represents the thorny crown, and also His emanating light.

10. Charcoal design for the frame

Represents the Seraphim giving honor & glory to Jesus Christ, Yeshua HaMashiach.

11. Laser-cut wood frame base

The Hebrew letters are Dalet Mem Bet, which, according to the Kabbalah, mean "reverence for God".

12. Silver-leafing the frame

I applied chalk & hide glue gesso to the wood, creating more dimension. Then I applied silver leaf using the water method. I worked on the frame a long time, using multiple methods to age it.

13. Preparing natural shellac

Natural shellac is made from prepared resin collected from tree bark in Indonesia. It is dissolved in pure alcohol.

14. Completed frame top drying

Here is the completed frame top drying in the sun after being sprayed with multiple layers of shellac.

15. Laser engraving the back

I used the XTool D1 Pro laser for engraving & cutting out the back.

16. Completed frame back

The name of Jesus in many languages encircles a representation of "His body & blood". Note the DNA spirals...

17. Preparing to assemble the whole

I used several different metal elements for the hardware: steel pins & nails for fastening frame front to frame back, a cut portion of a decorative clock for the "winding & setting" piece & more.

18. Antique nails & clock chain

I started with a chain from a cuckoo clock (in the photos), but switched to a welded brass Emperor Grandfather clock chain. The nails are square, hand-forged American steel antiques.

19. Laser burning the title & signature plates

I use the XTool F1 laser for engraving metal, & for many smaller wood pieces, too.